The holiday party can wait. Versace’s holiday 2026 campaign finds plenty of occasion in the journey itself, gathering Max Stenzel, Paolo Grebic, and Micheal Okotie aboard a wood-paneled train with lavender seats and alpine views. Photographed by Carlijn Jacobs, the passengers dress as though someone interesting might enter their compartment.
Max holds a large black handbag against his coat, its angular flap and gold hardware bringing a focal point to the layered look. Tailoring takes a more languid turn on Paolo, who stretches across the upholstery in a suit, a long scarf falling down his chest. Micheal’s leather jacket and gray trousers offer another way to travel well, with enough ease to sit back and watch the scenery.
As the snowy landscape gives way to spring, patterned knitwear introduces a more playful mood. Versace frames the trip as a meeting of individual journeys, but the clothes suggest another pleasure of shared travel. Getting dressed becomes part of being seen, even before anyone reaches the destination.
Versace Holiday 2026 Campaign
Versace also puts character at the center of its fall 2026 eyewear campaign with Joseph Quinn, photographed by Heikki Kaski.
