Olive plaster walls and worn parquet floors set the scene for Berluti’s fall-winter 2026 collection. Sitting for portraits by Théo de Gueltzl, models Arnaud de Beer, Bradley Van Schalkwyk, Moussa Sanogo, and Naoki Sumiya portray the Berluti man, and this season’s argument for masculine elegance. The study begins with color and ends with leather.
The Fiamma patina technique fuses three pigments directly into Venezia calfskin, producing hybrid tones that sit somewhere between burnt amber and cognac, and the depth visible in each shade is where Berluti’s idea of elegance lives.
A Forestière jacket in Vintage Pink cashmere and a coral shawl-collar cardigan place the same warmth in woven material, and the man who wears both understands that confidence in a material and conviction in color are the same commitment.
The Rombo mid-calf boot in Venezia calfskin, sewn on a Goodyear welt, appears across multiple looks in dark brown and black, its shaft meeting a trouser hem that falls clean over the top. Corduroy trousers are wide and high-waisted throughout, cut in ivory for the lighter looks and teal for the heavier ones. The proportional contrast between the volume below the waist and the leather and cashmere above is where Berluti’s silhouette finds its elegance.
The Un Jour jacket in the Fiamma patina is the clearest statement of what color confidence looks like at full weight, its orange-amber leather showing gradations deep enough that the shade shifts across the surface. The coral shawl-collar cardigan, worn with dark Venezia boots, makes the same point in softer material. It shows that at Berluti, a color can run as warm as it wants so long as the Venezia calfskin around it stays serious.
Berluti Fall/Winter 2026 Collection

























