Zara’s latest edit arrives dressed as a chance encounter on a Los Angeles sidewalk, photographed by Dan Martensen with the studied looseness of a paparazzi frame. Clement Laguardia crosses the frame with a coffee in hand, sleeves pushed, gaze caught mid-reaction, while Ansley Gulielmi keeps pace in worn denim and sun-faded graphics.
Zara x Dylan’s T-Shirt Club
At the center are the T-shirts, designed by Dylan’s T-Shirt Club, a project led by a 12-year-old artist producing hand-drawn, one-of-a-kind graphics since 2019. The references land fast: Jaws, Space Jam, Back to the Future, and Gremlins, titles that sit deep in American cultural memory.
The wardrobe is pure American casual, straight-leg jeans, easy tees, a cap pulled low, clothes grabbed on the way out the door. Martensen shoots close enough to feel intrusive, far enough to feel accidental, and the tension between those two distances is the subject. It recalls the early 2000s moment when celebrity off-duty style became a public script, when a walk down Melrose could set the tone for a season.
In this setting, the graphics function as personal shorthand, chosen for what they mean to the wearer instead of how they look on a hanger. Zara brings the reach, Martensen the mood, and Dylan the handmade signature. A T-shirt sketched by a twelve-year-old ends up doing the work a logo usually claims.
Zara replaces the graphics for patina in its SRPLS summer-2026 collection.
