COS sets summer on a rooftop and trusts the clothes in full sun. Photographed by Charlotte Stouvenot and styled by Jack Reid, the edit follows Kaplan Hani through stone facades, railings, and open air with a wardrobe that keeps its line while the temperature climbs.
COS in the City
A black oversized suit with a loose white shirt opens the sequence with volume and shade, then the palette shifts into dark chocolate, pale blue, washed gray, and chalk white. The result places tailoring in motion through short-sleeve shirts, open collars, long shorts, and pleated trousers that keep shape across each frame.
The rooftop setting matters because COS has long treated minimalism as a matter of proportion, and this edit sharpens that idea through texture and cut. A brown short-sleeve set arrives with a dry, pebbled surface and wide leg trousers, while a blazer with matching shorts turns suiting into something lighter and more direct.
Reid keeps the styling spare, often with a single pair of sunglasses or a tank under a shirt, so the eye stays on the length of the jacket, the break of the trouser, or the clean drop of a knit polo into the waist.
By the time the edit cuts to Kaplan in an ivory short-sleeve knit and dark pleated trousers, summer dressing looks like steady control under bright afternoon light.
For more from COS, Alexander Skarsgård’s turn in the spring campaign shows the same restraint at a different volume.
