Dunhill arrives at spring-summer 2026 somewhere between Mayfair tailoring and the open road, with photographer Ethan James Green and stylist Tom Guinness shaping the campaign. Adam Sattrup, Jon Paul Phillips, and artist Orfeo Tagiuri wear a softer summer palette of lavender, pale gray, dusty pink, and paisley, with the Cavendish suit doing the heaviest lifting. Cut from breathable linen, it loosens the house silhouette while keeping the expert construction intact.
Dunhill Spring/Summer 2026 Campaign
A wool-silk houndstooth evening jacket and lambskin outerwear sit over Dunhill’s breathable tailoring, which gives the lineup a hot-weather logic that does not concede the formality.
The archival pull comes through the 19th-century motoring references that Dunhill has revisited before. A double-breasted trench in coated linen woven in Como takes its shape from early driving coats, recast for a wet British July, and the Alfred 40 and Bourdon 40 leather goods draw from document cases sized to old Mayfair proportions.
The campaign closes with House Navy tailoring and Bengal stripe shirting cut with the longer collar and looser tie knot familiar from British rock photographs of the seventies. Dunhill keeps the elegance archival and the attitude modern, which is the trick the Mayfair house has spent its recent seasons getting right.
The same archival instinct shaped the house’s fall 2026 collection, which drew on Lord Snowdon’s darkroom.
