
AMIRI trades the pristine codes of contemporary luxury for something messier in its fall-winter 2026 campaign. Photographed by Myles Hendrik, the imagined Laurel Canyon house party has the flash-lit immediacy of early-2000s Los Angeles nightlife photography. Cigarettes, poker games, and interrupted conversations make the pictures feel discovered. Here, Yuta Jinguji, Bakar, Avan Jogia, The Hellp, and a wider cast of creative figures wear Mike Amiri’s velvet tailoring, embroidered shirts, leather, and denim as party clothes.
It is a jarring turn for a house that has increasingly presented the AMIRI man through more conventionally luxurious imagery, but the friction gives the campaign its appeal. These are expensive clothes, photographed as though nobody is particularly worried about keeping them pristine. That collision gives AMIRI’s familiar Los Angeles mythology some texture, while raising a larger question about the brand’s image.
If this is the beginning of a new visual direction, AMIRI may be proposing cultural access and a certain after-dark cool as its version of modern American luxury. If it is only one wild night, it makes for a curious detour.
AMIRI Fall/Winter 2026 Campaign


















