Seán McGirr

The Dublin-born designer who shaped ready-to-wear at JW Anderson, now directing Alexander McQueen after Sarah Burton's 13-year tenure.
Seán McGirr

Robin Galiegue / McQueen


From: Dublin, Ireland

Creative Director: McQueen (2023 -)


Seán McGirr

The Dublin-born designer who shaped ready-to-wear at JW Anderson, now directing Alexander McQueen after Sarah Burton's 13-year tenure.

Seán McGirr trained at Central Saint Martins, completing the MA fashion programme in 2014. He was one of the final students of Louise Wilson before her death that year.

After graduating, he assisted at Burberry and Vogue Hommes Japan. He then took design positions at Uniqlo under Christophe Lemaire in Paris and Tokyo, followed by a stint as womenswear designer at Dries Van Noten in Antwerp. The throughline across those rooms is a flat, utilitarian approach to menswear shapes. Hipster-era trousers and outerwear were pulled into sharper proportion, and knit and shearling were handled as volume.

McGirr joined JW Anderson in 2020 as head of the men’s division, later becoming director of ready-to-wear across both lines. The work there sat inside Jonathan Anderson’s sculptural vocabulary: oversized knits, foreshortened outerwear, denim warped at the waistband, accessories handled as objects.

It placed him alongside the Loewe-era Anderson lineage and a broader London cohort working post-Lemaire on proportion and craft. That position drew Kering’s attention as Sarah Burton’s tenure closed. McGirr was named Burton’s successor at Alexander McQueen in October 2023, taking over after her 13-year run as creative director.

He took the creative director role at Alexander McQueen under Kering as the first outside hire in the house’s history, succeeding Burton, who had been Lee McQueen’s right hand since 1996. His fall-winter 2024 debut opened with a laminated jersey drape dress in a wet-look finish, citing the clingfilm-wrapped opener of Lee McQueen’s spring-summer 1995 Birds collection.

The show then moved through long-haired fur ensembles, leather-hatted cowboy looks, sizeable circular collar knitwear, embellished blazers and cigarette pants, and pinstripes paired with glossy neon shirting. The Sling bag returned with hard metal T-bar buckles drawn from Shaun Leane’s sculptural archive jewelry for the house. House codes were reactivated as hardware and silhouette, framing the chapter as a generational reset of the McQueen language for the Kering portfolio.

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Collected Work

Zhang Youhao Leads McQueen’s Lunar New Year 2025 Ad

January 17, 2025

Zhang Youhao Leads McQueen’s Lunar New Year 2025 Ad

In “A Sense of Belonging,” McQueen crafts an evocative narrative for Lunar New Year 2025, headlined by Zhang Youhao. Against

Alexander McQueen Fall 2024: At a Crossroads

March 3, 2024

Alexander McQueen Fall 2024: At a Crossroads

In a season of transition, Seán McGirr’s debut collection for Alexander McQueen’s fall-winter 2024 attempts to toe the line between

Kevin Bui & William Chen Play Unruly Boys for Sean McGirr Fall/Winter 2012

May 24, 2012

Kevin Bui & William Chen Play Unruly Boys for Sean McGirr Fall/Winter 2012

Challengers–Models Kevin Bui and William Chen of London’s Studio Boyo walk the line as they play their mobster parts in a

Daisuke Ueda for Sean McGirr Fall 2012

March 12, 2012

Daisuke Ueda for Sean McGirr Fall 2012

Past the Looks–Model Daisuke Ueda steps into platform footwear and other spick-and-span garbs for Sean McGirr’s fall-winter 2012 lookbook. With a collection

Thomas Edward & Oliver Min by Nick George for Sean McGirr Fall 2011

September 16, 2011

Thomas Edward & Oliver Min by Nick George for Sean McGirr Fall 2011

Tall Ambition–With long blonde bangs, Thomas Edward and Oliver Min appear for the Sean McGirr fall 2011 lookbook. With art

Ben Warnock for Sean McGirr

November 8, 2010

Ben Warnock for Sean McGirr

Transitioning from the sidelines into a designer role for himself, Sean McGirr prepares to launch his namesake label early next

April 2, 2010

London College of Fashion Masters Roundup by Sean McGirr

Kicking off with a collection comprising only of black, Keiko Kida gave us an insight into the softer side of sadism