Dunhill fall-winter 2026 opens with a wardrobe pulled straight from Lord Snowdon’s closet, which is to say it’s aristocratic and restless all at once. These aren’t the suits of stability. They’re the suits of a photographer who moved between royal drawing rooms and darkened studios.
Super 150s wool-cashmere flannels in sharkskin and bird’s eye establish the silhouette. Madder silk pocket squares in polka dots feel like small rebellions against Simon Holloway’s tailored discipline.
As the narrative deepens, texture becomes the plot. Cashmere roll necks layer beneath blazers trimmed in leather. An alpaca car coat exudes richness. Windowpane tweeds and magnified nailheads catch light like they’re part of a larger conversation about British textile craft.
There’s a graphite suede trial jacket and, most arrestingly, a grey leather trench bonded to camel hair and finished by hand. These are pieces that demand to be lived in.
The leather goods reinforce what Dunhill has been saying for 130 years. Alfred, Century, and Bourdon bags arrive in hand-burnished patina calf shaped with a slouch so subtle you miss it until you realize it’s the whole point.
Chelsea boots and Davies sneakers bring versatility. Then the mood darkens. Winter brown and anthracite tailoring takes on a cinematic charge. Stand-collar Bourdon jackets woven in midnight blue and grey wool-silk jacquards boast patterns exclusive to a Suffolk mill, pulled from the Arts and Crafts movement.
This is a collection for a man caught between worlds. Stealthy. Textural. Definitively Dunhill. It’s a wardrobe that makes you believe a man can move between a boardroom and a basement darkroom without changing his clothes, only his intentions.
Dunhill Fall/Winter 2026 Collection
